DrownedMadonna ha hecho un análisis de 'I Feel So Free' muy completo
This is not incidental. Moroder — born in the Italian Alps, based in Munich — essentially invented the template that connects disco to house: the motorik pulse, the synthesiser as spiritual instrument, the voice suspended above an infinite groove. His productions for Donna Summer, above all “I Feel Love” (1977), created the sonic architecture that house music would build upon a decade later. That “I Feel So Free” carries both his spirit and that of Chicago's dancefloors is not a contradiction — it is the full history of electronic dance music compressed into a single track
Esto coincide con lo que comentó ayer @JJJJPPPP
@"JJJJPPPP" la canción que cambió la música para siempre, Moroder y las secuencias del i feel LOVE. Que prodríamos decir que es el germen de todos los estilos, sub estilos etc que han venido desde entonces. Y la camnción dentro de una base bastante Chicago, va incorporando, mutando por un montón de estilos
Vamos, que 'I Feel So Free' es el génesis/manifiesto del álbum.
Un resumen de las reviews tan positivas:
Stereogum noted that the track “sounds like Madonna being herself, rather than trying to chase whatever current pop trend has caught her eye.” The Guardian described it as “exceptionally well made, very obviously the work of people who genuinely understand and love house music” — structured like an underground record, with no conventional chorus and none of the attention-grabbing bombast of EDM. The Telegraph called it “an old-school banger” and “a searing love letter to Studio 54-style dancefloor escapism” — awarding it four stars and declaring Madonna “back to her imperious best.”
LINK https://drownedmadonna.com/stories/i-feel-so-free-madonna-returns-to-the-dancefloor
