Alguien ha conseguido el disco a calidad decente? Alguien se lo ha querido escuchar a 90 y pico kbps? Están por ahí poniendolo de disco del año p'arriba, a mí por lo pronto con esto casi se me funde el cerebro
En soulseek está a mayores calidades y me lo he bajado, es bastante probable que sea algún listillo que ha convertido el de 96 kbps a mayor calidad no? Aún así lo escucharé
Es de una densidad tan liviana que te apetece volver a meterte en el barro una y otra vez y que pese a lo largo de los temas no te apetece que acabe nunca.
El stream de 'A U R O R A' de Ben Frost, con sus maravillosos visuales. En él ha colaborado uno de los miembros de Swans. Se ve que Ben Frost es fan del grupo, y de hecho dedicó una canción a Michael Gira en 'By The Throat' (2009).
Los ultimos 40 minutos fueron una verdadera mascleta. A mi por alla la mitad del concierto me parecio un poco rollo. Tres horazas casi de concierto me parece mucho, pero los ultimos temas (que tocaron, como seis?) fueron bestiales, salimos de alli aturdidos, una pasada, me dio todo el subidon, un gran concierto (aunque para mi algo largo)
Yo también hubiera eliminado tres cuartos de hora, los que iban antes del final, después de tanta tralla esos temas tan parados provocan bajón. Los setlists que corren por ahí suelen ser 6 a mí me parecieron 8 temas. Y mi momento de ayer fue ese tema tribal con Gira erigido como maestro de un ritual indio, qué locura!
Parte del publico se marcho, la sala estaba mas vacia a medida que el concierto se acercaba al final. Pero esos ultimos temas haran que lo recuerde como un gran concierto la verdad, fue como meterse dentro de un tornado, en el epicentro de un terremoto durante media hora.
Tocan 2 (de los supuestos 6 que consta el set): A little god in my hands Just a little boy
Parece que la tónica de la banda es tocar, sobretodo, temas nuevos. En la gira de The Seer realmente tocaban mas temas del que luego sería To be kind, y ahora parece que lo mismo, quizás nuevo disco el año que viene y esta ocasión haya sido su presentación.
Anoche me acosté escuchando el To be kind y como me fui a la cama antes de que terminara me lo he puesto ahora. Acostarse y despertarse con Swans es de las mejores experiencias de la vida
Creo necesario resucitar este hilo sobre Swans y Michael Gira porque escribí Michael Gira en el buscador y me salieron 50 mensajes sobre Madonna. Y no puede ser, no señor.
Detalle random: hace poco me compré "Children of God" y "The Great Annihilator". Maravillosos los dos. Gira (que no la gira de Madonna) tiene una discografía de infarto.
Lo voy a poner aqui por que no se donde ponerlo, no tienen hilo me parece pero igual a alguien le interesa
Acabo de ver en lastfm que MONO vienen a Barcelona, en el apolo, con toda su banda, voy a ir de cabeza, si a alguien le va el rollo post rock que vaya sin dudarlo, es epica instrumental pura y dura, yo no los he visto en directo, son japos y se mueven bien poco.
Me fliparía verlos pero no tengo ni tiempo ni dinero, pero la verdad es que si estuviera por Barcelona iría de cabeza. El disco doble que se marcaron el año pasado es muy bueno.
Por el momento estoy hundidísimo en los 3/4 primeros discos de Swans (es decir, todo lo que sacaron antes de los de Skin y "Children of God") y estoy entusiasmado, tanto que me lo compré todo :-O ¿Alguien sabría decirme cuál de ellos está mejor valorado? Lo doy todo con la pareja "Greed/Holy Money" por ejemplo.
Ya han sacado disco en directo con copias limitadas dentro de un sistema de fundrising para el siguiente disco de estudio. Si pones 500 pavos, Michael Gira te pinta un retrato http://younggodrecords.com/products/the-gate
Swans have announced details of a new album, The Glowing Man, out on Mute / Young God (N America) on 17 June 2016. Listen to an excerpt of The Glowing Man, taken from the album, here:
The Glowing Man will be available on double CD and deluxe triple gatefold vinyl, with a poster and digital download. In addition, there will be a double CD/DVD format, which features a Swans live performance from 2015.
The Glowing Man, announced as the last album release of Swans’ current incarnation, will be followed by an extensive tour. The tour will unfold with dates beginning in North America in the summer, before returning to Europe in the autumn. Announced tour dates below.
Swans, led by Michael Gira, formed in 1982 and, after disbanding in 1997, returned with the critically acclaimed albums My Father Will Guide Me Up A Rope To The Sky (2010), 2012’s The Seer and 2014’s To Be Kind.
A NOTE FROM MICHAEL GIRA OF SWANS:
“In 2009 when I made the decision to restart my musical group, Swans, I had no idea where it would lead. I knew that if I took the road of mining the past or revisiting the catalog, that it would be fruitless and stultifying. After much thought about how to make this an adventure that would instead lead the music forward into unexpected terrain, I chose the five people with whom to work that I believed would most ably provide a sense of surprise, and even uncertainty, while simultaneously embodying the strength and confidence to ride the river of intention that flows from the heart of the sound wherever it would lead us - and what’s the intention? LOVE!
And so finally this LOVE has now led us, with the release of the new and final recording from this configuration of Swans, The Glowing Man, through four albums (three of which contain more complexity, nuance and scope than I would have ever dreamed possible), several live releases, various fundraiser projects, countless and seemingly endless tours and rehearsals, and a generally exhausting regimen that has left us stunned but still invigorated and thrilled to see this thing through to its conclusion. I hereby thank my brothers and collaborators for their commitment to whatever truth lies at the center of the sound. I’m decidedly not a Deist, but on a few occasions – particularly in live performance – it’s been my privilege, through our collective efforts, to just barely grasp something of the infinite in the sound and experience generated by a force that is definitely greater than all of us combined. When talking with audience members after the shows or through later correspondence, it’s also been a true privilege to discover they’ve experienced something like this too. Whatever the force is that has led us through this extended excursion, it’s been worthwhile for many of us, and I’m grateful for what has been the most consistently challenging and fulfilling period of my musical life.
Going forward, post the touring associated with The Glowing Man, I’ll continue to make music under the name Swans, with a revolving cast of collaborators. I have little idea what shape the sound will take, which is a good thing. Touring will definitely be less extensive, I’m certain of that! Whatever the future holds, I’ll miss this particular locus of human and musical potential immensely: Norman Westberg, Kristof Hahn, Phil Puleo, Christopher Pravdica, Thor Harris, and myself mixed in there somewhere, too.”
………….
THE GLOWING MAN TRACKLISTING
1. Cloud of Forgetting 2. Cloud of Unknowing 3. The World Looks Red / The World Looks Black 4. People Like Us 5. Frankie M. 6. When Will I Return? 7. The Glowing Man 8. Finally, Peace.
“I wrote the song ‘When Will I Return? specifically for Jennifer Gira to sing. It’s a tribute to her strength, courage, and resilience in the face of a deeply scarring experience she once endured, and that she continues to overcome daily.
The song ‘The World Looks Red / The World Looks Black’ uses some words I wrote in 1982 or so that Sonic Youth used for their song ‘The World Looks Red’, back in the day. The music and melody used here in the current version are completely different. While working up material for this new album, I had a basic acoustic guitar version of the song and was stumped for words. For reasons unknown to me, the lyric I’d so long ago left in my typewriter in plain view at my living and rehearsal space (the latter of which Sonic Youth shared at the time) and which Thurston plucked for use with my happy permission, popped into my head and I thought “Why not?” The person that wrote those words well over three decades ago bears little resemblance to who I am now, but I believe it remains a useful text, so “Why not?”. Maybe, in a way, it closes the circle.
The song ‘The Glowing Man’ contains a section of the song ‘Bring The Sun’ from our previous album, To Be Kind. The section is, of course, newly performed and orchestrated to work within its current setting. ‘The Glowing Man’ itself grew organically forward and out of improvisations that took place live during the performance of ‘Bring The Sun’, so it seemed essential to include that relevant section here. Since over the long and tortured course of the current song’s genesis, it had always been such an integral cornerstone I believe we’d have been paralyzed and unable to perform the entire piece at all without it.
‘Cloud of Forgetting’ and ‘Cloud of Unknowing’ are prayers. ‘Frankie M’ is another tribute and a best wish for a wounded soul. ‘The Glowing Man’ contains my favorite Zen Koan. ‘People Like Us’ and ‘Finally, Peace’ are farewell songs.”
The Glowing Man was recorded at Sonic Ranch, near El Paso, Texas, with John Congleton as recording engineer. Further recording was made at John’s Elmwood Studio, in Dallas, Texas, and at Studio Litho (Seattle, WA) with Don Gunn, engineer, and at CandyBomber (Berlin) with Ingo Krauss, engineer. The record was mixed by Ingo at CandyBomber and by Doug Henderson at Micro-Moose, Berlin. Doug Henderson mastered it at Micro-Moose.
Here’s a list of the principal players on the record (complete credits and words to the songs available on request):
Swans: Michael Gira – vocals, electric and acoustic guitar; Norman Westberg – electric guitar, vocals; Kristof Hahn – lap steel guitar, electric guitar, acoustic guitar, vocals; Phil Puleo – drums, dulcimer, knocks, vocals; Christopher Pravdica – bass guitar, vocals; Thor Harris – percussion, vibes, bells, dulcimer. Hit Man and 7th Swan: Bill Rieflin – drums, piano, synth, Mellotron, bass guitar, electric guitar, vocals. Guest Musicians: Jennifer Gira sings the lead vocal on ‘When Will I Return?’ The cello solo on ‘Cloud of Unknowing’ was graciously provided by the ferocious improviser, Okkyung Lee.
SWANS TOUR 2016 North America 6 July – Philadelphia PA, Union Transfer 7 July – Boston MA, Royale Nightclub 8 July – Providence RI, Fete 9 July – Quebec QC, Le Cercle 10 July – Toronto ON, Danforth Music Hall 12 July – Detroit MI, St Andrews Hall 13 July – Milwaukee WI, Shank Hall 14 July – Minneapolis MN, Fine Line Music Cafe 15 July – Chicago IL, Lincoln Hall 16 July – Chicago IL, Lincoln Hall 18 July – Cleveland OH, Beachland Ballroom 19 July – Cincinnati OH, Woodward Theater 21 July – Louisville KY, Headliner’s Music Hall 22 July – Atlanta GA, Terminal West 23 July – Asheville NC, Orange Peel 24 July – Nashville TN, Exit / In 26 July – Carrboro NC, Cats Cradle 27 July – Richmond VA The Broadberry 28 July – Washington DC, 9:30 CLUB 29 July – New York NY, Bowery Ballroom 30 July – Brooklyn NY, Music Hall of Williamsburg *with support from Okkyung Lee
1 Sept – Tucson AZ, Rialto Theater 2 Sept – Los Angeles CA, Fonda Theater 3 Sept – San Francisco CA, The Regency Grand Ballroom 4 Sept – Portland OR, Wonder Ballroom 6 Sept – Vancouver BC, Venue 7 Sept – Seattle WA, The Showbox 9 Sept – Salt Lake City UT, Urban Lounge 10 Sept – Denver CO, Gothic Theater 12 Sept – Dallas TX, Trees 13 Sept – Austin TX, Mohawk Austin 14 Sept – San Antonio TX, Paper Tiger 15 Sept – Albuquerque NM, Sunshine Theater 16 Sept – Phoenix AZ, Crescent Ballroom *with support from Baby Dee
Europe 6 Oct – Brussels BE, Oranjerie Botantique 7 Oct – Eindhoven NL, De Effenaar 8 Oct – Brighton UK, Concorde 2 9 Oct – Manchester UK, HMV Ritz 11 Oct – Glasgow UK, Oran Mor 12 Oct – Newcastle Upon Tyne UK, Northumbria University 13 Oct – London UK, Islington Assembly Hall 14 Oct – London UK, Islington Assembly Hall 15 Oct – Reims FR, La Cartonnerie 17 Oct – Hamburg DE, Kampnagel 18 Oct – Berlin DE, Huxleys Neue Welt 19 Oct – Prague CZ, Divaldo ARCHA Theatre 21 Oct – Budapest HU, A38 Ship 22 Oct – Vienna AT, Arena Big Hall 23 Oct – Graz AT, Orpheum Extra 25 Oct – Ljubljana SL, Kino Kiska Centre for Urban Culture 26 Oct – Zagreb HR, Lauba 28 Oct – Basel CH, Kaserne 29 Oct – Vevey CH, Rocking Chair 30 Oct – Bern CH, Reitschule Dachstock 1 Nov – Tourcoin FR, Le Grand Mix 2 Nov – Nimes FR, La Paloma 5 Nov – Bologna IT, Teatro Auditorium Manzoni 6 Nov – Rome IT, Orion Live Club 8 Nov – Nantes FR, Stereolux 9 Nov – Paris FR, Le Trabendo 10 Nov – Cologne DE, Gebäude 9 11 Nov – Munich DE, Feierwerk 12 Nov – Wiesbaden DE, Kulturezentrum Schlachthof
Gira no pasa por Barcelona ni ahora que hace la gira en solitario. :-( Mira que somos poca cosa... La última vez que vino Gira solito la sala no se llenó (y estábamos en la Apolo 2), aunque, eso sí, el público se entregó muchísimo.
Escuchada la primera mitad del disco me quedo un poco igual y aburridote. En discos y canciones tan largos, o cambias un poco el ritmo y experimentas aquí y allá o te queda un mamotreto mortal. En esta hora hay pocas ideas que no hayamos escuchado ya. De hecho es casi casi como escuchar uno de los directos que han publicado entre album y album, donde el sonido y las canciones están menos definidos pero puedes percibir la furia. Aquí hay furia pero es muy limpia. La canción más cortita y menos atmosférica me remite directamente a cualquiera de los discos de los Angels of Light. A ver qué tal la segunda parte, pero así de primeras me parece el más aburridote de sus últimos lps.
El disco es bueno, pero la segunda mitad se come con patatas la primera. Sigue siendo un placer enorme escuchar a esta gente. Qué lástima que sea su último disco con esta formación. Mis favoritas son Frankie M, The Glowing Man y Finally, Peace. En metacritic de momento un 81, pero pronostico que caerá un par de puntos.
Buah, en una escucha más atenta las dos primeras canciones del disco ya me parecen una culminación maravillosa de lo que trataron en sus previos álbumes. Todo todo todo carne. Qué difícil escuchar esto sin escalofríos.
Me compré la edición de The Glowing Man que viene con el DVD y las versiones en directo me gustan más que las del CD. Tanto el DVD como "The gate" capturan mejor la energía en directo del grupo, pero el sonido del DVD es más limpio que el de "The Gate", así que de todos los materiales de esta era es mi opción favorita. Un lujo.
Comentarios
http://pitchfork.com/advance/447-a-u-r-o-r-a/
Recordaba que Swans tocaban cerca, por Bilbao, y acabo de descubrir que es mañana y en verdad en Durango y pf
Los setlists que corren por ahí suelen ser 6 a mí me parecieron 8 temas.
Y mi momento de ayer fue ese tema tribal con Gira erigido como maestro de un ritual indio, qué locura!
A little god in my hands
Just a little boy
Parece que la tónica de la banda es tocar, sobretodo, temas nuevos. En la gira de The Seer realmente tocaban mas temas del que luego sería To be kind, y ahora parece que lo mismo, quizás nuevo disco el año que viene y esta ocasión haya sido su presentación.
Detalle random: hace poco me compré "Children of God" y "The Great Annihilator". Maravillosos los dos. Gira (que no la gira de Madonna) tiene una discografía de infarto.
Acabo de ver en lastfm que MONO vienen a Barcelona, en el apolo, con toda su banda, voy a ir de cabeza, si a alguien le va el rollo post rock que vaya sin dudarlo, es epica instrumental pura y dura, yo no los he visto en directo, son japos y se mueven bien poco.
estoy ilusionadisimo
Por el momento estoy hundidísimo en los 3/4 primeros discos de Swans (es decir, todo lo que sacaron antes de los de Skin y "Children of God") y estoy entusiasmado, tanto que me lo compré todo :-O ¿Alguien sabría decirme cuál de ellos está mejor valorado? Lo doy todo con la pareja "Greed/Holy Money" por ejemplo.
Escuchad también el "We rose from your bed with the sun in our head". Imprescindible.
Si pones 500 pavos, Michael Gira te pinta un retrato
http://younggodrecords.com/products/the-gate
http://consequenceofsound.net/2016/02/michael-gira-details-swans-valedictory-new-album/
Swans have announced details of a new album, The Glowing Man, out on Mute / Young God (N America) on 17 June 2016. Listen to an excerpt of The Glowing Man, taken from the album, here:
The Glowing Man will be available on double CD and deluxe triple gatefold vinyl, with a poster and digital download. In addition, there will be a double CD/DVD format, which features a Swans live performance from 2015.
The Glowing Man, announced as the last album release of Swans’ current incarnation, will be followed by an extensive tour. The tour will unfold with dates beginning in North America in the summer, before returning to Europe in the autumn. Announced tour dates below.
Swans, led by Michael Gira, formed in 1982 and, after disbanding in 1997, returned with the critically acclaimed albums My Father Will Guide Me Up A Rope To The Sky (2010), 2012’s The Seer and 2014’s To Be Kind.
A NOTE FROM MICHAEL GIRA OF SWANS:
“In 2009 when I made the decision to restart my musical group, Swans, I had no idea where it would lead. I knew that if I took the road of mining the past or revisiting the catalog, that it would be fruitless and stultifying. After much thought about how to make this an adventure that would instead lead the music forward into unexpected terrain, I chose the five people with whom to work that I believed would most ably provide a sense of surprise, and even uncertainty, while simultaneously embodying the strength and confidence to ride the river of intention that flows from the heart of the sound wherever it would lead us - and what’s the intention? LOVE!
And so finally this LOVE has now led us, with the release of the new and final recording from this configuration of Swans, The Glowing Man, through four albums (three of which contain more complexity, nuance and scope than I would have ever dreamed possible), several live releases, various fundraiser projects, countless and seemingly endless tours and rehearsals, and a generally exhausting regimen that has left us stunned but still invigorated and thrilled to see this thing through to its conclusion. I hereby thank my brothers and collaborators for their commitment to whatever truth lies at the center of the sound. I’m decidedly not a Deist, but on a few occasions – particularly in live performance – it’s been my privilege, through our collective efforts, to just barely grasp something of the infinite in the sound and experience generated by a force that is definitely greater than all of us combined. When talking with audience members after the shows or through later correspondence, it’s also been a true privilege to discover they’ve experienced something like this too. Whatever the force is that has led us through this extended excursion, it’s been worthwhile for many of us, and I’m grateful for what has been the most consistently challenging and fulfilling period of my musical life.
Going forward, post the touring associated with The Glowing Man, I’ll continue to make music under the name Swans, with a revolving cast of collaborators. I have little idea what shape the sound will take, which is a good thing. Touring will definitely be less extensive, I’m certain of that! Whatever the future holds, I’ll miss this particular locus of human and musical potential immensely: Norman Westberg, Kristof Hahn, Phil Puleo, Christopher Pravdica, Thor Harris, and myself mixed in there somewhere, too.”
………….
THE GLOWING MAN TRACKLISTING
1. Cloud of Forgetting
2. Cloud of Unknowing
3. The World Looks Red / The World Looks Black
4. People Like Us
5. Frankie M.
6. When Will I Return?
7. The Glowing Man
8. Finally, Peace.
“I wrote the song ‘When Will I Return? specifically for Jennifer Gira to sing. It’s a tribute to her strength, courage, and resilience in the face of a deeply scarring experience she once endured, and that she continues to overcome daily.
The song ‘The World Looks Red / The World Looks Black’ uses some words I wrote in 1982 or so that Sonic Youth used for their song ‘The World Looks Red’, back in the day. The music and melody used here in the current version are completely different. While working up material for this new album, I had a basic acoustic guitar version of the song and was stumped for words. For reasons unknown to me, the lyric I’d so long ago left in my typewriter in plain view at my living and rehearsal space (the latter of which Sonic Youth shared at the time) and which Thurston plucked for use with my happy permission, popped into my head and I thought “Why not?” The person that wrote those words well over three decades ago bears little resemblance to who I am now, but I believe it remains a useful text, so “Why not?”. Maybe, in a way, it closes the circle.
The song ‘The Glowing Man’ contains a section of the song ‘Bring The Sun’ from our previous album, To Be Kind. The section is, of course, newly performed and orchestrated to work within its current setting. ‘The Glowing Man’ itself grew organically forward and out of improvisations that took place live during the performance of ‘Bring The Sun’, so it seemed essential to include that relevant section here. Since over the long and tortured course of the current song’s genesis, it had always been such an integral cornerstone I believe we’d have been paralyzed and unable to perform the entire piece at all without it.
‘Cloud of Forgetting’ and ‘Cloud of Unknowing’ are prayers. ‘Frankie M’ is another tribute and a best wish for a wounded soul. ‘The Glowing Man’ contains my favorite Zen Koan. ‘People Like Us’ and ‘Finally, Peace’ are farewell songs.”
- Michael Gira 2016
The Glowing Man was recorded at Sonic Ranch, near El Paso, Texas, with John Congleton as recording engineer. Further recording was made at John’s Elmwood Studio, in Dallas, Texas, and at Studio Litho (Seattle, WA) with Don Gunn, engineer, and at CandyBomber (Berlin) with Ingo Krauss, engineer. The record was mixed by Ingo at CandyBomber and by Doug Henderson at Micro-Moose, Berlin. Doug Henderson mastered it at Micro-Moose.
Here’s a list of the principal players on the record (complete credits and words to the songs available on request):
Swans: Michael Gira – vocals, electric and acoustic guitar; Norman Westberg – electric guitar, vocals; Kristof Hahn – lap steel guitar, electric guitar, acoustic guitar, vocals; Phil Puleo – drums, dulcimer, knocks, vocals; Christopher Pravdica – bass guitar, vocals; Thor Harris – percussion, vibes, bells, dulcimer. Hit Man and 7th Swan: Bill Rieflin – drums, piano, synth, Mellotron, bass guitar, electric guitar, vocals.
Guest Musicians: Jennifer Gira sings the lead vocal on ‘When Will I Return?’ The cello solo on ‘Cloud of Unknowing’ was graciously provided by the ferocious improviser, Okkyung Lee.
………….
Michael Gira is currently on a solo tour through Europe, for full details please visit: http://younggodrecords.com/pages/tour-dates
SWANS TOUR 2016
North America
6 July – Philadelphia PA, Union Transfer
7 July – Boston MA, Royale Nightclub
8 July – Providence RI, Fete
9 July – Quebec QC, Le Cercle
10 July – Toronto ON, Danforth Music Hall
12 July – Detroit MI, St Andrews Hall
13 July – Milwaukee WI, Shank Hall
14 July – Minneapolis MN, Fine Line Music Cafe
15 July – Chicago IL, Lincoln Hall
16 July – Chicago IL, Lincoln Hall
18 July – Cleveland OH, Beachland Ballroom
19 July – Cincinnati OH, Woodward Theater
21 July – Louisville KY, Headliner’s Music Hall
22 July – Atlanta GA, Terminal West
23 July – Asheville NC, Orange Peel
24 July – Nashville TN, Exit / In
26 July – Carrboro NC, Cats Cradle
27 July – Richmond VA The Broadberry
28 July – Washington DC, 9:30 CLUB
29 July – New York NY, Bowery Ballroom
30 July – Brooklyn NY, Music Hall of Williamsburg
*with support from Okkyung Lee
1 Sept – Tucson AZ, Rialto Theater
2 Sept – Los Angeles CA, Fonda Theater
3 Sept – San Francisco CA, The Regency Grand Ballroom
4 Sept – Portland OR, Wonder Ballroom
6 Sept – Vancouver BC, Venue
7 Sept – Seattle WA, The Showbox
9 Sept – Salt Lake City UT, Urban Lounge
10 Sept – Denver CO, Gothic Theater
12 Sept – Dallas TX, Trees
13 Sept – Austin TX, Mohawk Austin
14 Sept – San Antonio TX, Paper Tiger
15 Sept – Albuquerque NM, Sunshine Theater
16 Sept – Phoenix AZ, Crescent Ballroom
*with support from Baby Dee
Europe
6 Oct – Brussels BE, Oranjerie Botantique
7 Oct – Eindhoven NL, De Effenaar
8 Oct – Brighton UK, Concorde 2
9 Oct – Manchester UK, HMV Ritz
11 Oct – Glasgow UK, Oran Mor
12 Oct – Newcastle Upon Tyne UK, Northumbria University
13 Oct – London UK, Islington Assembly Hall
14 Oct – London UK, Islington Assembly Hall
15 Oct – Reims FR, La Cartonnerie
17 Oct – Hamburg DE, Kampnagel
18 Oct – Berlin DE, Huxleys Neue Welt
19 Oct – Prague CZ, Divaldo ARCHA Theatre
21 Oct – Budapest HU, A38 Ship
22 Oct – Vienna AT, Arena Big Hall
23 Oct – Graz AT, Orpheum Extra
25 Oct – Ljubljana SL, Kino Kiska Centre for Urban Culture
26 Oct – Zagreb HR, Lauba
28 Oct – Basel CH, Kaserne
29 Oct – Vevey CH, Rocking Chair
30 Oct – Bern CH, Reitschule Dachstock
1 Nov – Tourcoin FR, Le Grand Mix
2 Nov – Nimes FR, La Paloma
5 Nov – Bologna IT, Teatro Auditorium Manzoni
6 Nov – Rome IT, Orion Live Club
8 Nov – Nantes FR, Stereolux
9 Nov – Paris FR, Le Trabendo
10 Nov – Cologne DE, Gebäude 9
11 Nov – Munich DE, Feierwerk
12 Nov – Wiesbaden DE, Kulturezentrum Schlachthof
Mira que somos poca cosa...
La última vez que vino Gira solito la sala no se llenó (y estábamos en la Apolo 2), aunque, eso sí, el público se entregó muchísimo.
La canción más cortita y menos atmosférica me remite directamente a cualquiera de los discos de los Angels of Light.
A ver qué tal la segunda parte, pero así de primeras me parece el más aburridote de sus últimos lps.
Mis favoritas son Frankie M, The Glowing Man y Finally, Peace.
En metacritic de momento un 81, pero pronostico que caerá un par de puntos.
Qué difícil escuchar esto sin escalofríos.
"Cloud of unknowing" es escalofriante.