Solo he oído uno de los links, pero me pregunto: ¿de verdad discernís de ese audio que el estribillo es bueno? Si es un poco como estar metido en el mar y oír una canción que suena en el chiringuito, que ni oyes ni existe en ti.
Y voy a confesar que lo que he oído también me recuerda a Pitbull, David Guetta y así. Que a mí me parecen autores de trallazos brutales sin fin. Pero apoyo la similitud que apunta @kleefeld
It’s hard to follow up a power anthem like Katy Perry’s new single “Roar.” Luckily, Lady Gaga has some wickedly theatrical vocals and a dream production team behind her.
“Applause” is not quite the followup you’d expect after the massive success of her previous first singles, “Bad Romance” and “Born This Way.” This song is actually rather mute in comparison. Still, this song says a lot about what could be coming from ARTPOP. This song is far more experimental, lyrically and instrumentally, than anything else on the radio. It almost sounds like a song you’d hear from Roisin Murphy or Kelis, but would never gain the popularity it deserves. Of course, since it’s Gaga that won’t be a problem.
Back to Gaga’s theatrical vocals, the verses are rather beautiful. Instead of typical polished pop princess vocals, Gaga kicks up the dramatics and delivers in a way you’d expect an actor to during a musical. At first it was kind of unnerving, but the way her voice wobbles as she sings “I stand here waiting for you to bang the gong,” grew to be one of my favorite parts of the song. She mimics this during the second verse also. Of course, the dramatic wobble effect isn’t nearly as much as Gaga shouting, “Put your hands up, make em touch! Make it real now!” or “Give me that thing that I love, turn the lights on!”
Musically, the song actually has a rather retro feel. If I could relate it to anything, it’d be an old school Nintendo or Sega Genesis game, but sprinkled with today’s production tricks. The clubs will eat this song alive. The way the beat robotically thuds under her vocals the earworm that will get this song stuck in your brain.
Radio? That’s a tricky one. Radio will either embrace is, or drop it as soon as the radio deal fizzles like Madonna’s “Give Me All Your Lovin.”
PS: She mentions something about being a coonce (sp?). I don’t know what that is, so if someone could let me know… it’ll help me better make sense of the verse, “One second I’m the coonce then suddenly the coonce is me.”
Ay en serio, estoy cansado. Quiero la canción en buena calidad, no quiero quemarla en calidad telefonillo.
Lo bueno es que puedo decir es que el estribillo lo escuchas unas cuantas veces y ya te parece que llevaras toda la vida oyéndolo, y eso solo significa cosas buenas.
Comentarios
Y voy a confesar que lo que he oído también me recuerda a Pitbull, David Guetta y así. Que a mí me parecen autores de trallazos brutales sin fin. Pero apoyo la similitud que apunta @kleefeld
yo he fundido el estribillo a esa calidad
Lady Gaga’s Gamey Sounding New Single "Applause"
It’s hard to follow up a power anthem like Katy Perry’s new single “Roar.” Luckily, Lady Gaga has some wickedly theatrical vocals and a dream production team behind her.
“Applause” is not quite the followup you’d expect after the massive success of her previous first singles, “Bad Romance” and “Born This Way.” This song is actually rather mute in comparison. Still, this song says a lot about what could be coming from ARTPOP. This song is far more experimental, lyrically and instrumentally, than anything else on the radio. It almost sounds like a song you’d hear from Roisin Murphy or Kelis, but would never gain the popularity it deserves. Of course, since it’s Gaga that won’t be a problem.
Back to Gaga’s theatrical vocals, the verses are rather beautiful. Instead of typical polished pop princess vocals, Gaga kicks up the dramatics and delivers in a way you’d expect an actor to during a musical. At first it was kind of unnerving, but the way her voice wobbles as she sings “I stand here waiting for you to bang the gong,” grew to be one of my favorite parts of the song. She mimics this during the second verse also. Of course, the dramatic wobble effect isn’t nearly as much as Gaga shouting, “Put your hands up, make em touch! Make it real now!” or “Give me that thing that I love, turn the lights on!”
Musically, the song actually has a rather retro feel. If I could relate it to anything, it’d be an old school Nintendo or Sega Genesis game, but sprinkled with today’s production tricks. The clubs will eat this song alive. The way the beat robotically thuds under her vocals the earworm that will get this song stuck in your brain.
Radio? That’s a tricky one. Radio will either embrace is, or drop it as soon as the radio deal fizzles like Madonna’s “Give Me All Your Lovin.”
PS: She mentions something about being a coonce (sp?). I don’t know what that is, so if someone could let me know… it’ll help me better make sense of the verse, “One second I’m the coonce then suddenly the coonce is me.”
Se me cuidan amiwas
https://vk.com/wall205157726_610
Lo bueno es que puedo decir es que el estribillo lo escuchas unas cuantas veces y ya te parece que llevaras toda la vida oyéndolo, y eso solo significa cosas buenas.