Ay, si el vídeo de TEOG hubiera sido lo que iba a ser. Yo creo que realmente durante la era BTW debió tener bastantes problemas tanto profesionales como personales, así le salieron muchas cosas.
Ahí lo tienes @RRP . Cuando lo encontré por youtube y sobretodo en el minuto 0:40 se me pusieron los pelos de punta. Es tan taaan oscuro y nada parecido a lo que Gaga haya hecho antes...lastima que no sea real. Recomiendo usar cascos porque vais a flipar xD
la verdad que las canciones industriales son lo mejor de BTW, son las ideas mejor acabadas. Lo malo que creo que ella quería escribir un Bad Romance 2.0, como decís de Judas.
Si a Judas le quitas los OOOooh la gente no la hubiera percibido tan Bad Romance 2, aunque la estructura de la canción es casi la misma. Igualmente sigue siendo de lo mejor de BTW aún siendo a veces bastante jodida de escuchar.
A mí el trozo de "I wanna love you... but something's pulling me away from you" de Judas me parece de lo mejor que ha hecho Gaga. Me encanta ese trozo. Y eso.
Nos piden en Facebook que saquemos esto. La verdad, paso, al menos hasta que lo vea en más medios. Viene a decir que la gira se ha suspendido y no aplazado, porque no estaba siendo rentable. Que la venta de tickets no ha ido mal, pero que tenía que haber vendido más entradas para ser rentable y que se estaba perdiendo dinero por los gastos de producción
Llevo oyendo esto desde siempre, desde que empecé a ir a macroconciertos cuando el Pop Mart de U2, que se dijo que era un fracaso. Pero vamos a ver, ¿es que no hay nadie con 2 dedos de frente en una multi así para programar riesgos y que en una gira no se pierda dinero? ¿Qué pasa, que se eligen los presupuestos y los estadios y los precios al tuntún? Igual antes, pero hoy por hoy no me lo creo...
He de decir que siempre le he tenido, y aún le tengo, tirria a la Gagis, pero desde Telephone en adelante me ha enamorado una poquita, dejando a un lado los little monsters y que se "inspire" tanto a la hora de hacer canciones, siempre me ha parecido que Gaga es un poco lo que Tarantino al cine, se pillan un poco de aquí, un poquito de allá y ya tienen su álbum / película hecha.
Aún así, me da la sensación que en los últimos años el pop va muriendo lentamente y se agradece que haya alguien que se atreva a hacer la mamarracha, sea una sinverwensa, de un poco de vida y espectáculo en el panorama en el que estamos, y sobretodo que tenga dos dedos de frente para no acabar alcoholizada, drogada o hecha una foca por culpa de la fama.
Me he encontrado con este snippet de Born this way.
Que recuerdos...incluso eso es mejor que el original joder (no lo digo totalmente en serio xD no ataqueis). Como es posible que youtube no esté plagado de fakes y snippets de ARTPOP?
Siempre recordare que Elton John y Popjustice escucharon una demo de Born this way y la describian como una balada electronica y gelida, que no s eparecia en nada a la version final, que tienes que meterte speed para estar a la altura.
Mira, te voy a contar lo que tuve que hacer cuando se estrenó BTW en España. Creo que era en...europa fm no? A las 12 de la mañana. Tuve que salir de una conferencia super importante en clase fingiendo que me encontraba mal para ir al baño xD voy todo emocionado...me pongo mis cascos y venga, aquello empieza a sonar y mi cara era esta . Al terminar los 4 o 5 min de toston mi cara era así :l salí de allí taan chafado, desilusionado y destrozado...
Live Nation ha estado maquillando sus cifras de manera descarada, eso ya lo sabemos, no solamente en el caso de Gaga. Pero pareciera que en el caso de ésta ha terminado por ser insostenible económicamente hablando seguir con la mentira.
Examiner tiene menos credibilidad que Nati Abascal dando el telediario.
Aquí Billboard deja las cosas mucho más claras:
Lady Gaga Tour Cancellation: A Look at the Damage
When doctor’s orders led to the cancellation of Lady Gaga's “Born This Way Ball” tour yesterday, producers Live Nation Global Touring immediately began the formidable task of shutting down one of the most successful pop tours ever.
The tour ended prematurely due to Lady Gaga's hip injury, which will require surgery and significant time to heal, with the final date taking place this past Monday in Montreal, 13 shows into a North American leg that began Jan. 11 in Vancouver.
In total, 22 shows were cancelled, forcing the refund of roughly 200,000 tickets worth approximately $25 million in gross ticket sales, Billboard estimates.
Through Jan. 17, the “BTWB” tour had grossed $168.2 million and moved 1.6 million tickets to 85 shows, according to Billboard Boxscore, with Asia, Europe, and South American legs already completed in 2012. The North American leg, which was to wrap the tour and was almost completely sold out, would have likely put the tour at more than $200 million gross, easily in the top 20 tours of all time and probably in the top 15. As it stands, Gaga finished sixth among all touring artists in 2012, with a gross of $125 million and attendance of more than 1.1 million, according to Boxscore.
But, when the best-laid plans meet physiology, touring professionals must begin a complicated, multi-faceted decompression process. Buildings are notified, press releases prepared, and the massive production shuts down, with the complex logistics of getting about 130 cast and crew, along with mountains of staging and production gear, all back to their respective homes now well underway.
Live Nation Global Touring chairman Arthur Fogel calls the cancellation “a tremendous disappointment for her, for her fans, for all of the people in the touring party— the crew, the staff, the band, the performers, the dancers— and for my team.”
Remarkably nonplussed in the face of the task at hand for the Live Nation Global Touring team (which is also promoting tours by Rihanna and Beyonce this year, among others), Fogel calls the cancellation a situation where “the entertainment business intersects with the realities of life, and the glamorous perception of what touring is like is replaced by the reality that it’s tough,” he tells Billboard.biz. “It’s tough for anybody, but [for] the more physical performer—and she certainly is one—it’s that much tougher. I feel terrible for her; it’s a difficult situation. But it’s just one of those things that can’t be controlled, and we just deal with what we have to deal with.”
The cancellation of Gaga's tour is not a situation with which Fogel is unfamiliar. A similar unfortunate scenario arose during the record-setting U2 “360” tour in 2010 when Bono’s back surgery forced the postponement of 16 stadium shows, with 1 million tickets worth about $100 million already sold. Ultimately, the dates were rescheduled for the following year, 97% of tickets were held onto by fans, the rest were moved quickly, and 360 went on to become the highest grossing tour in history at more than $736 million, according to Boxscore.
But “360” was a postponement and Gaga's situation is a cancellation. That said, the cancellation is far from a financial disaster. Fogel declined to discuss specifics of “BTWB,” but in a typical situation, as an industry standard, a major tour such as this would be covered by various levels of insurance, including such things as the significant out-of-pocket expenses to shut the tour down, advertising costs, and lost revenues for both performer and promoter.
In the end, it looks like North American Little Monsters who have waited almost a year to see this show will have to wait for her next tour. A new Gaga album is expected sometime this year, and perhaps a new album project will afford Gaga the opportunity to align a album and tour -- and their respective marketing juice -- at a more synergistic level than she has in the past.
Fogel takes a philosophical view that is essentially optimistic. “It’s not really for me to say,” he says regarding Gaga’s next move, “but for anybody, you would have to assess what it all means, the time necessary for [the artist] to get back to 100%, and then address what comes next.”
Meanwhile, at least one building is making an effort to help the Little Monsters get their Gaga fix. For those who were looking forward to seeing Gaga perform at Wells Fargo Center in Philadelphia at two sold out shows next week, XFinity Live! Philadelphia, the dining and entertainment district located next to the Wells Fargo Center, will host a free screening of a pre-recorded Lady Gaga full-concert performance on a 32-foot, high-definition screen on February 19. Admission is free and open to the public.
Joe Germanotta @germanottajoe Don't worry. Mrs G & I are looking after Loop. Post your get well cards/messages on FB
Y en un hilo de Gagadaily apareció esto: "Gaga called one of our very own moderators on GagaDaily to assure her that she's doing OK and will recover soon"
Yo lo de la cancelación por no ser rentable no me lo creo ni de coña. Después de cien conciertos se dan cuenta de que no era rentable y la obligan a fingir una enfermedad? Vamos hombre.
No entiendo y lo digo en serio que es lo que molesta tanto de Gaga a algunos.
Comentarios
1 de 5, pero es la que más me gusta. Judas FTW.
PD: no hay un acapella de Judas, 'jomío, que tiene que usar un filter?
Y eso.
Jesúuuus es mi vidaaa...Judas es er demonio al que me aferrooo...
AL QUE ME AFERRO!
http://www.examiner.com/article/is-live-nation-covering-up-true-reason-for-lady-gaga-s-canceled-tour?cid=rss
Aún así, me da la sensación que en los últimos años el pop va muriendo lentamente y se agradece que haya alguien que se atreva a hacer la mamarracha, sea una sinverwensa, de un poco de vida y espectáculo en el panorama en el que estamos, y sobretodo que tenga dos dedos de frente para no acabar alcoholizada, drogada o hecha una foca por culpa de la fama.
Que recuerdos...incluso eso es mejor que el original joder (no lo digo totalmente en serio xD no ataqueis). Como es posible que youtube no esté plagado de fakes y snippets de ARTPOP?
si los hay, aqui los dos que corren mas por youtube y el ultimo es lo que sonaba en el tour antes de empezar y que la gente relaciono con Artpop:
Tuve que salir de una conferencia super importante en clase fingiendo que me encontraba mal para ir al baño xD voy todo emocionado...me pongo mis cascos y venga, aquello empieza a sonar y mi cara era esta
Aquí Billboard deja las cosas mucho más claras:
Lady Gaga Tour Cancellation: A Look at the Damage
When doctor’s orders led to the cancellation of Lady Gaga's “Born This Way Ball” tour yesterday, producers Live Nation Global Touring immediately began the formidable task of shutting down one of the most successful pop tours ever.
The tour ended prematurely due to Lady Gaga's hip injury, which will require surgery and significant time to heal, with the final date taking place this past Monday in Montreal, 13 shows into a North American leg that began Jan. 11 in Vancouver.
In total, 22 shows were cancelled, forcing the refund of roughly 200,000 tickets worth approximately $25 million in gross ticket sales, Billboard estimates.
Through Jan. 17, the “BTWB” tour had grossed $168.2 million and moved 1.6 million tickets to 85 shows, according to Billboard Boxscore, with Asia, Europe, and South American legs already completed in 2012. The North American leg, which was to wrap the tour and was almost completely sold out, would have likely put the tour at more than $200 million gross, easily in the top 20 tours of all time and probably in the top 15. As it stands, Gaga finished sixth among all touring artists in 2012, with a gross of $125 million and attendance of more than 1.1 million, according to Boxscore.
But, when the best-laid plans meet physiology, touring professionals must begin a complicated, multi-faceted decompression process. Buildings are notified, press releases prepared, and the massive production shuts down, with the complex logistics of getting about 130 cast and crew, along with mountains of staging and production gear, all back to their respective homes now well underway.
Live Nation Global Touring chairman Arthur Fogel calls the cancellation “a tremendous disappointment for her, for her fans, for all of the people in the touring party— the crew, the staff, the band, the performers, the dancers— and for my team.”
Remarkably nonplussed in the face of the task at hand for the Live Nation Global Touring team (which is also promoting tours by Rihanna and Beyonce this year, among others), Fogel calls the cancellation a situation where “the entertainment business intersects with the realities of life, and the glamorous perception of what touring is like is replaced by the reality that it’s tough,” he tells Billboard.biz. “It’s tough for anybody, but [for] the more physical performer—and she certainly is one—it’s that much tougher. I feel terrible for her; it’s a difficult situation. But it’s just one of those things that can’t be controlled, and we just deal with what we have to deal with.”
The cancellation of Gaga's tour is not a situation with which Fogel is unfamiliar. A similar unfortunate scenario arose during the record-setting U2 “360” tour in 2010 when Bono’s back surgery forced the postponement of 16 stadium shows, with 1 million tickets worth about $100 million already sold. Ultimately, the dates were rescheduled for the following year, 97% of tickets were held onto by fans, the rest were moved quickly, and 360 went on to become the highest grossing tour in history at more than $736 million, according to Boxscore.
But “360” was a postponement and Gaga's situation is a cancellation. That said, the cancellation is far from a financial disaster. Fogel declined to discuss specifics of “BTWB,” but in a typical situation, as an industry standard, a major tour such as this would be covered by various levels of insurance, including such things as the significant out-of-pocket expenses to shut the tour down, advertising costs, and lost revenues for both performer and promoter.
In the end, it looks like North American Little Monsters who have waited almost a year to see this show will have to wait for her next tour. A new Gaga album is expected sometime this year, and perhaps a new album project will afford Gaga the opportunity to align a album and tour -- and their respective marketing juice -- at a more synergistic level than she has in the past.
Fogel takes a philosophical view that is essentially optimistic. “It’s not really for me to say,” he says regarding Gaga’s next move, “but for anybody, you would have to assess what it all means, the time necessary for [the artist] to get back to 100%, and then address what comes next.”
Meanwhile, at least one building is making an effort to help the Little Monsters get their Gaga fix. For those who were looking forward to seeing Gaga perform at Wells Fargo Center in Philadelphia at two sold out shows next week, XFinity Live! Philadelphia, the dining and entertainment district located next to the Wells Fargo Center, will host a free screening of a pre-recorded Lady Gaga full-concert performance on a 32-foot, high-definition screen on February 19. Admission is free and open to the public.
http://www.billboard.com/biz/articles/news/touring/1539257/lady-gaga-tour-cancellation-a-look-at-the-damage
Don't worry. Mrs G & I are looking after Loop. Post your get well cards/messages on FB
Y en un hilo de Gagadaily apareció esto: "Gaga called one of our very own moderators on GagaDaily to assure her that she's doing OK and will recover soon"
No entiendo y lo digo en serio que es lo que molesta tanto de Gaga a algunos.