Pues disco terminado, digo supersí a todo esto. Antes lo escuché de fondo y no me llamó mucho la atención, pero las secciones I y II son bastante buenas. Chromatica III podría desaparecer y quedarse solo con Babylon, que como cierre de disco es perfecto.
Auguro un 6.8 en la madre por sonar chusco, pero ojalá que le vaya divino.
En ningun momento he dicho nada de ser positivo o negativo. Lo más cercano a ser elegante diria que es Replay o Babylon, pero no es esa la intención, claramente. Y no hay nada de malo en ello, pa cosas elegantes estan otras artistas.
Es que es eso, Gaga siempre ha sido una chusca de la vida y es lo que nos gusta de ella. @osopanda90 no lo decía por ti, sino en general. Es algo que a los maricas nos obsesiona mucho, como algo que alcanzar. Lo leo en muchos comentarios.
Y Sour Candy me esta dando curiosidad por ver que tiene BLACKPINK, me parece un rollo muy guay. No se quién dijo que era la peor del disco, pero ni de lejos.
Chromatica I: Every journey, I believe, begin with an element of triumph. I win and fail all the time. They’re both meaningful. They both inform me. They’re equally epic.
Alice: In order to do hard things, we have to be willing to try. Sometimes trying involves dreaming. Some of us, I to be certain, must be able to imagine the greatness that’s revealed within us when we overcome obstacles. Otherwise, what’s the point? When we are sad this is more difficult, but I recall that there’s always Wonderland. Remember that old story about Alice?
Stupid love: The core issue that’s been the driving connective force behind all things I do is love. I’ve always wanted it, and can never have enough of it. I’ve been told I’m a love addict. Fine. I’m addicted to love. Is that so bad? Because isn’t there freedom in simply acknowledging that my need for love is a bottomless pit?
Rain on me: Sometimes I’ve thought I’ve cried so many tears that that’s all I was anymore – a fountain for misery to cycle through. I’d rather that not be true, but at least I’m alive. I’m grateful for that. Tears can be teachers if we let them.
Free woman: As someone who generally prefers things to be genderless, I ponder often why I chose to declare my womanhood in this song. I’ve realized that question is futile. Woman could be synonymous with any creative force. I’m proud of my womb, proud of yours, and proud of those who were born without wombs and have phantom ones. Every gender has a spirit womb. I believe this is hinged on creating with three things the same way a door has three hinges: a steady hand, knowing you can, and not needing a relationship to define your power. Before you know it if you are closed, you can open, just like a door.
Fun tonight: When you listen to this song imagine you’re singing to yourself.
Chromatica II: I believe it’s in the middle of our voyages as people that things become both terrifying and whimsical at the same time. I felt life was asking the impossible of me, which I think I’m not alone in feeling. So I was scared, but I believe in magic. So, I wrote this interlude as a reminder that my magic was working. I believe that means yours is too.
911: I take an anti-psychotic. I have neuropathic pain and regular trauma responses. In order to keep me safe from addiction I am not permitted to take any pain pills, so I take this instead. Do not take anti-psychotics unless directed to do so by your doctor, as I do not wish to glamorize anguish.
Plastic doll: Pop culture objectifies artists by attributing labels and grouping us into categories. As a result of this, society expect us to perform like the archetypes we’ve created by stealing our narrative from us and attempting to re-write it. Many of us know what’s going on. I am aware, I am a plastic doll. Some people in the world believe I belong to them in a box to play with. It hurts.
Sour candy: I resent that women are often expected to always be sweet or we’re called bitches. This song is an analog for that sentiment, and a polite middle finger.
Enigma: The genesis of Lady Gaga as how I identify is something I’ve grappled with ever since I was 19. I don’t know why I need this transformation to happen other than that the design of Lady Gaga is decidedly rebellious. I can break any stigmas about me at any time because I will constantly transform to escape them. This process by which I exist is a mystery to me, but I’m starting to understand it. I’m even starting to own it. I will always be misunderstood. Because I want to be.
Replay: I refused to not allow this song to be on the album. Sure, I’m the “boss”. But really Chromatica cannot exist without abstract explanation of what it’s like to be triggered if you have PTSD. It’s a replay of all my monsters, not the little ones. And the very thing that has plagued my mind for years, trauma, is precisely the thing that now powers my life force to be braver i.e. this voice I hear – continue to make music although your brain feels like it’s breaking sometimes.
Comentarios
Jajajaja los gifs
Plastic Doll es un descarte de The Fame, clarisimamente
free woman es temazo, hace falta conocerla una poca mejor
De las que ayer me parecieron fillers Free Woman es la que más me ha molado hoy
Sour Candy:
Mas cosas como este rollo me hubieran gustado, la verdad. De mis favoritas tambien.
Free woman es mi favo ❤️
Parece mentira que no sienta vergüenza ajena leyendo las storylines en Spotify, de hecho me están gustando. Gaga debía estar inspirada ese día.
Enigma
yo no puedo con Free Woman
Replay
Mi peluca está en órbita, y coincido con @cofi que esto podría ser de Caravan Palace
Es un disco TAN disfrutable y le ha venido de perlas que haya salido en plena cuarentena porque la gente lo va a bailar como si no hubiera un mañana.
The monster inside you is torturing me
The scars on my mind are on replay, r-replay, eh-eh
9 1 1
:')
Uy osa, cuando llegue a la sine
Sine from above y 1000 doves me han cortado el rollo.
Babylon sonando, a ver
El saxo de Babylon:
Pues disco terminado, digo supersí a todo esto. Antes lo escuché de fondo y no me llamó mucho la atención, pero las secciones I y II son bastante buenas. Chromatica III podría desaparecer y quedarse solo con Babylon, que como cierre de disco es perfecto.
Auguro un 6.8 en la madre por sonar chusco, pero ojalá que le vaya divino.
Babylon es
Como ha dicho @rrp, ojalá un disco en ese rollo.
911 es demencialmente buena. Ojalá sea single pronto
Yo estoy dándolo todo ahora con Replay
911 es la elegancia
No se si elegancia es un adjetivo que pegue con este disco....
Babylon es elegante
Qué pesadas con la elegancia. Pero si sois todas unas chuscas con piercings en la ceja y tatuajes hasta en el culo. ¿Qué tiene de malo?
El 2001 Bosnia-Herzegovina entry in Eurovision realness de Sine from above me da la vida.
En ningun momento he dicho nada de ser positivo o negativo. Lo más cercano a ser elegante diria que es Replay o Babylon, pero no es esa la intención, claramente. Y no hay nada de malo en ello, pa cosas elegantes estan otras artistas.
Opino igual que @oso. Para dance elegante ya tenemos a Dua, Roisin, Jessie...
Pero vamoave quien quiere un disco elegante de esta señora???
The Guardian: 4/5
The Independent: 4/5
The Irish Times: 4/5
Metro: 4.5/5
Evening Standard: 4/5
NME: 4/5
The Times: 4/5
The Telegraph: 4/5
Se nos viene un 80 en metacritic, por fin ❤️
Es que es eso, Gaga siempre ha sido una chusca de la vida y es lo que nos gusta de ella. @osopanda90 no lo decía por ti, sino en general. Es algo que a los maricas nos obsesiona mucho, como algo que alcanzar. Lo leo en muchos comentarios.
8s across the board. De esas solo cuentan para MC The Guardian, The Independent, NME y The Telegraph.
Y Sour Candy me esta dando curiosidad por ver que tiene BLACKPINK, me parece un rollo muy guay. No se quién dijo que era la peor del disco, pero ni de lejos.
Billboard dice que vale también, aunque es un medio poco recomendable para leer reviews:
https://www.billboard.com/articles/columns/pop/9392842/lady-gaga-chromatica-review-first-listen
Yo me he emocionado mucho con Alice y Sine from above (soy muy euro fan) lo que necesitaba este disco...
@osopanda90 alguna fea aburrida lo habrá dicho. caramelo con acidez se goza mucho.
@osopanda90 lo que hacen las BP no se parece mucho a lo que es Sour Candy en realidad. Pero si quieres probar, su mejor canción imo es esta:
@Cofi en una segunda escucha diria que es incluso más Basement Jaxx , que ojala tambien colaborasen o algo porque son tal para cual.
@gagación @osopanda90 totalmente. El mood de su identidad es when they call you Lady but you're gaga
La oso y yo no coincidimos en nada. Todo en orden.
Pues ahí está, Rain On Me le da su sexto número 1 en UK:
A ver el lunes en USA
Uf, qué temazo Rain On Me de Ashanti ♥
Storylines de Spotify. ATIENDE:
Chromatica I: Every journey, I believe, begin with an element of triumph. I win and fail all the time. They’re both meaningful. They both inform me. They’re equally epic.
Alice: In order to do hard things, we have to be willing to try. Sometimes trying involves dreaming. Some of us, I to be certain, must be able to imagine the greatness that’s revealed within us when we overcome obstacles. Otherwise, what’s the point? When we are sad this is more difficult, but I recall that there’s always Wonderland. Remember that old story about Alice?
Stupid love: The core issue that’s been the driving connective force behind all things I do is love. I’ve always wanted it, and can never have enough of it. I’ve been told I’m a love addict. Fine. I’m addicted to love. Is that so bad? Because isn’t there freedom in simply acknowledging that my need for love is a bottomless pit?
Rain on me: Sometimes I’ve thought I’ve cried so many tears that that’s all I was anymore – a fountain for misery to cycle through. I’d rather that not be true, but at least I’m alive. I’m grateful for that. Tears can be teachers if we let them.
Free woman: As someone who generally prefers things to be genderless, I ponder often why I chose to declare my womanhood in this song. I’ve realized that question is futile. Woman could be synonymous with any creative force. I’m proud of my womb, proud of yours, and proud of those who were born without wombs and have phantom ones. Every gender has a spirit womb. I believe this is hinged on creating with three things the same way a door has three hinges: a steady hand, knowing you can, and not needing a relationship to define your power. Before you know it if you are closed, you can open, just like a door.
Fun tonight: When you listen to this song imagine you’re singing to yourself.
Ay, Ashanti ❤️ El primer single de esa era también era un temazo (rock wit u)
Los beats de Alice se parecen muchísimo a los de esta canción (que también es un temazo)
Chromatica II: I believe it’s in the middle of our voyages as people that things become both terrifying and whimsical at the same time. I felt life was asking the impossible of me, which I think I’m not alone in feeling. So I was scared, but I believe in magic. So, I wrote this interlude as a reminder that my magic was working. I believe that means yours is too.
911: I take an anti-psychotic. I have neuropathic pain and regular trauma responses. In order to keep me safe from addiction I am not permitted to take any pain pills, so I take this instead. Do not take anti-psychotics unless directed to do so by your doctor, as I do not wish to glamorize anguish.
Plastic doll: Pop culture objectifies artists by attributing labels and grouping us into categories. As a result of this, society expect us to perform like the archetypes we’ve created by stealing our narrative from us and attempting to re-write it. Many of us know what’s going on. I am aware, I am a plastic doll. Some people in the world believe I belong to them in a box to play with. It hurts.
Sour candy: I resent that women are often expected to always be sweet or we’re called bitches. This song is an analog for that sentiment, and a polite middle finger.
Enigma: The genesis of Lady Gaga as how I identify is something I’ve grappled with ever since I was 19. I don’t know why I need this transformation to happen other than that the design of Lady Gaga is decidedly rebellious. I can break any stigmas about me at any time because I will constantly transform to escape them. This process by which I exist is a mystery to me, but I’m starting to understand it. I’m even starting to own it. I will always be misunderstood. Because I want to be.
Replay: I refused to not allow this song to be on the album. Sure, I’m the “boss”. But really Chromatica cannot exist without abstract explanation of what it’s like to be triggered if you have PTSD. It’s a replay of all my monsters, not the little ones. And the very thing that has plagued my mind for years, trauma, is precisely the thing that now powers my life force to be braver i.e. this voice I hear – continue to make music although your brain feels like it’s breaking sometimes.
Rain On Me de Ashanti
Ganas de leer la opinión de @Flounder de este disco.
A ver si esta tarde-noche me vaga y me lo pongo.