Ooops, menos mal que la ida de olla de @caotico con The Book of Love parece que no se ha contagiado, porque es como para banearlo del foro por un año al menos.
3.07 Love in the Shadows 3. 22 Xylophone Track 2. 9 You're My Only Home 2. 11 My Only Friend 3. 9 Wi' Nae Wee Bairn Ye'll Me Beget 3. 4 I'm Sorry I Love You 2.19 Asleep and dreaming 3.14 Queen of the savages 1. 17 Parades go by 3. 5 Acoustic Guitar
1.14 How Fucking Romantic 3.9 wi' nae wee bairn ye´... 3.17 two kinds of people 1.18 boa constrictor 3.22 xilophone track 1.19 a pretty girl like ia 3.7 love in the shadows 3.15 blue you 2.19 asleep and dreaming 3.20 for we ase the king of the boudoir
quiero llorar y perdon si los numeros estan mal colocados pero s que estoy sin internet en mi casa y lo he hecho desde el movil, en la prox ronda no pasara...ah no quiero que se vaya the books
1.14 How Fucking Romantic 1.18 boa constrictor 2. 9 You're My Only Home 3.7 Love in the Shadows 3. 9 Wi' Nae Wee Bairn Ye'll Me Beget 3.12 Meaningless 3.15 blue you 3.16 I Can't Touch You Anymore 3.20 For We Are the King of the Boudoir 3.22 Xylophone Track
"Xylophone Track is the most direct descendant of the blues on 69 Love Songs.
It features two 'visual' metaphors for the xylophone: first a railway track, and then a ribcage.
LD Beghtol writes:
At the time we sang this, fairly early one morning, this song was the extreme high end of my falsetto and the extreme low end of Stephin's. I played my 1890s harmonium on it, then Stephin overdubbed all these clashing, out-of-tune and unturned stringed instruments. I remember a lot of port and scotch were involved in the making of this recording. "
Con 9 votos:
3.7 LOVE IN THE SHADOWS
"Love In The Shadows is one of the songs on the album that shares a title with another song written by someone else. Neil Sedaka wrote a song called Love In The Shadows, released in 1976. Dan Hill and E.G. (Elizabeth) Daily have also recorded songs called Love In The Shadows, though it is not clear whether these were covers of the Neil Sedaka song or different songs.
Other examples include Kiss Me Like You Mean It and Bitter Tears. "
Con 8 votos:
3.15 BLUE YOU
"Daniel Handler suggests in the 69 Love Songs booklet that Blue You evokes the music of George Gershwin.
"The President played the saxophone / sounded so alone" is almost certainly a reference to Bill Clinton, who was frequently photographed with a sax. "
Con 6 votos
3.1 UNDERWEAR
"'La mort, c'est la mort / mais l'amour, c'est l'amour'
A bit of French wordplay, using the homophones "l'amour" (love) and "la mort" (death): without referring to the lyric sheet, the listener is uncertain whether the song is saying 'Love is death / but death is love' (cf. Alain Resnais' film L'Amour à Mort, which translates roughly as Love unto Death).
LD Beghtol writes:
At one point this was going to be an all-male double quartet recorded in the nude at Mother West recording studio, but we could never find the right mix of voices, so it became a Stephin-Dudley duet. But what fun (and photo ops) we would have had with that! "
3.20 FOR WE ARE THE KING OF THE BOUDOIR
(Otra sin dibujo)
"Stephin Merrit says For We Are The King Of The Boudoir is "essentially Gilbert and Sullivan". The singer refers to himself both with the royal 'we' and in the third person ('for we are the king of the boudoir, old thing / and the king doesn't like to wait').
This song was originally intended to be included in The 6ths' Wasps' Nests sung by Manolo from the Spanish band Astrud.
LD Beghtol, who sings the song, writes:
One of the most rewarding parts of the making of 69 Love Songs was Stephin encouraging me to use my various character voices on some songs. This one took me right back to my operatic past, and was also a one-taker. Muscle memory rules!
The lyrics feature the absurd double negative 'prowesslessnesslessness', which manages to rhyme five consecutive syllables (cf. the discussion of 'singing fling' in Epitaph for My Heart.)"
"The 69 Love Songs booklet explains that this song was first conceived for Ute Lemper and then for Diamanda Galás — with an eye on The 6ths album Hyacinths and Thistles — though neither ever recorded the song.
LD Beghtol writes, "We all longed to sing this one, but Dudley got the honor. What a great song!"
'Play another charming / Rodgers & Hart tune'
Richard Rodgers (composer) and Lorenz Hart (lyricist) collaborated on 29 musicals, and contributed songs to 12 films, writing more than four shows a year at the peak of their productivity. The partnership ran from 1919 until the death of Hart in 1943: he allegedly "drank himself to death, tormented by his gnomish appearance and unable to accept his own homosexuality". Rodgers continued to write musicals with Oscar Hammerstein II, and then with other lyricists after Hammerstein's death.
Some link Hart's homosexuality with his lyrics, which "abound with expressions of frustrated romance, isolated courtship and unconventional affection". "
1.18 BOA CONSTRICTOR
"In the 69 Love Songs booklet, Stephin Merritt comments that he asked Shirley Simms to sing Boa Constrictor rather than singing it himself, "Because I always sound like love has wrapped around my heart like a boa constrictor. She doesn't." (cf. his similar comments about I Don't Want to Get Over You.)
"I think of the boa constrictor in The Little Prince," he continues for no apparent reason."
3.9 WI' NAE WEE BAIRN YE'LL ME BEGET
"Wi' Nae Wee Bairn Ye'll Me Beget draws on the Scottish folksong of Robert 'Rabbie' Burns, the Bard of Scotland. In the 69 Love Songs booklet, Stephin Merritt says he is a fan of the Jean Redpath sings Robert Burns series, which runs to seven volumes.
Like Absolutely Cuckoo, Wi' Nae Wee Bairn Ye'll Me Beget has two parts, both of which are sung by Stephin Merritt on the album. In live performance Stephin and Claudia sing the refrain together ('Wi' nae wee bairn ye'll me beget / Untwinkle, little ee / My ainly pang'll be regret / A maiden I will dee') but alternate in singing the lines in each verse, which brings out the dynamic of the song in sharper relief.
For anyone unfamiliar with Scottish dialect, 'Wi' Nae Wee Bairn Ye'll Me Beget' translates as 'With no small child you will me beget (i.e. sire)'. The 'shape-shifting' theme of the lyric ('Well I'll turn into a...') is common to many folk traditions. A widely known instance (since Disney did a film of it) is the shapechanging battle between Madam Mym and Merlin in T H White's The Sword in the Stone.
Another is the song Two Magicians, one of the Child Ballads, recorded by Steeleye Span among others, which also shares the theme of a maiden protecting her virginity, and from which Wi' Nae Wee Bairn Ye'll Me Beget appears to be derived:
You never shall have my maidenhead That I have kept so long! I'd rather die a maid, aye, and then she said, And be buried all in my grave
In Wi' Nae Wee Bairn Ye'll Me Beget, the 'little ee' and 'a maiden I will dee' (i.e. die) lines may be true to the phonetic spirit of many Scots ballads, but stretch the 'letter' of dialect pronounciation. "
Con 4 votos:
1.19 A PRETTY GIRL IS LIKE...
"The song is a protest-cum-homage to Irving Berlin’s song A Pretty Girl is Like a Melody.
Allegedly Stephin Merritt had been reading Ulysses, and considering how writers objectify women in metaphors. In the lyrics, he celebrates, mocks, and critiques song similes, adopting "an exaggeratedly sexist, male point of view. It's a lot of baggage for one song," he acknowledges, "but that's part of why it's funny".
LD Beghtol adds:
When I first heard this, I was sure people would attack Stephin for being sexist, which of course neither he nor the song is at all. Also the song Queen of the Savages gave me pause. Happily everyone got the jokes and no-one so far as we know was offended.
Stephin cites surrealist poetry as one of his 'touchstones' for his wilder metaphors such as 'A pretty girl is like a minstrel show'. (The Magnetic Fields took their name from André Breton and Philippe Soupault’s Les Champs Magnetiques, though Stephin says that this is "not a reference in the sense that it helps people understand the band better".)"
3.17 TWO KINDS OF PEOPLE
"Two Kinds Of People features another heavily treated vocal from Stephin Merritt. In live performances, Stephin and Claudia Gonson sing the song together, and the lines that are back in the mix on the album are sung away from the microphone.
'There are two kinds of people: a) my love and I; b) other'
The song is a kind of solipsism for two. "
Había un empate con 4 votos pero se ha salvado Asleep and Dreaming por no haber recibido ningún voto en las rondas anteriores mientras que las otras dos sí.
Sorprendentemente ninguna canción del disco 2 ha sido eliminada en esta ronda. De momento es el que mejor está escapando, por el contrario el disco tres es el más perjudicado.
Tenemos que eliminar 8 canciones (ATENCIÓN 8) de aquí a mañana a las 14:00 h.
Como fans, ¿os gusta que los grupos cambien los arreglos en directo? G: “Ver a Magnetic Fields a mí me chifla. Ellos siempre han venido con banda, incluso con los discos con sintetizadores. Nunca nos ha importado, siempre me ha parecido asombroso lo que hacen”. C: “Me encanta cómo suenan los discos pero el chino con la guitarra en directo parece una computadora digitando, es increíble”. ¿Vuestra amistad viene del disco con Claudia de Astrud? G: “No, a partir de telonearles en el 98. En el 96 nos presentaron cuando vinieron y nos hicimos amigos de Claudia. La segunda gira ya les teloneamos. Claudia tocaba la batería e iba con guitarra eléctrica. Stephin también iba con guitarra eléctrica en aquella época. En la siguiente gira también, cuando vinieron con Sinnamon… Varias veces”.
Hablando de las comparaciones entre los tres discos, me parece que el de más nivel medio es el 2 (y se está comprobando por ahora en los votos), aunque mi pódium de favoritas está en el 1 y el 3. No es por dármelas de nada, pero yo tengo el triple disco desde 2000 (me hice suscriptor ese año de RDL solo para tenerlo, porque lo regalaban), y he escuchado creo que por igual los 3. En fin...aquí un fan del señor Merritt, del que sigo esperando que algún día vuelva a ser el que fue, porque desde el 69LS solo ha tenido destellos.
1.04 A Chicken With Its Head Cut Off 1.05 Reno Dakota 1.10 The Cactus Where Your Heart Should Be 1.17 Parades Go By 1.22 Sweet-Lovin' Man 1.23 The Things We Did and Didn't Do 2.19 Asleep and Dreaming 2.21 The Way You Say Good-Night
@sebas: para mí mi disco favorito y el mejor son sinónimos....claro, que yo no tengo ninguna web, je, je.
JAJAJ joder, es que este concepto es una chulada, es un hito. Luego pues otro disco te puede tocar más, o lo puedes oír más porque es más corto o por x.
1.5 Reno Dakota 1.10 The Cactus Where Your Heart Should Be
2.13 World Love 2.14 Washington, D.C. 2.22 Abigail, Belle of Kilronan
3.4 I'm Sorry I Love You 3.5 Acoustic Guitar
En esta ronda he descubierto que love in the shadows tiene un no se que de la no wave que me encanta... Para mi el 1 es el que tiene más temas inmediatos, el más equilibrado es el 2 el 3 es más irregular y le pesa ser el último, y tiene el único defecto que le he achacado siempre al 69LS, que cierra con tres canciones bastantes prescindibles
A mí también me han sorprendido los votos contra Oh Yeah. No visteis aquel directo con Claudia cantándola tirada por el suelo? Estuvo genial. Desde entonces me gusta mucho más...
Ya dije una vez que hace unos años grabé una cinta de K7 de 90 minutos, para escuchar en el coche, con las q más me gustaban. 36 Love Songs. Acabo de comprobar el tracklist:
13 del Cd-1 12 del Cd-2 11 del Cd-3
Edito: The Book of Love NO estaba entre las 36 elegidas
Comentarios
Está votando muy poca gente, si queréis ampliamos hasta mañana a las 14:00 h pero luego rondas de 24 h, please.
¿qué màs se puede añadir?
3.20 For we are the king of the boudoir
@caotico: "long and boring" es el libro, no la canción. Y prueba de ello es que la ha tocado tropecientas veces en vivo.
3.1 Underwear
Wi' Nae Wee Bairn Ye'll Me Beget
Bonicor es concepto, no adjetivo; como en "esta persona/canción/libro es bonicor total", @elektrolu. Ya se que eres una chica
3. 22 Xylophone Track
2. 9 You're My Only Home
2. 11 My Only Friend
3. 9 Wi' Nae Wee Bairn Ye'll Me Beget
3. 4 I'm Sorry I Love You
2.19 Asleep and dreaming
3.14 Queen of the savages
1. 17 Parades go by
3. 5 Acoustic Guitar
3.9 wi' nae wee bairn ye´...
3.17 two kinds of people
1.18 boa constrictor
3.22 xilophone track
1.19 a pretty girl like ia
3.7 love in the shadows
3.15 blue you
2.19 asleep and dreaming
3.20 for we ase the king of the boudoir
quiero llorar y perdon si los numeros estan mal colocados pero s que estoy sin internet en mi casa y lo he hecho desde el movil, en la prox ronda no pasara...ah no quiero que se vaya the books
1.18 boa constrictor
2. 9 You're My Only Home
3.7 Love in the Shadows
3. 9 Wi' Nae Wee Bairn Ye'll Me Beget
3.12 Meaningless
3.15 blue you
3.16 I Can't Touch You Anymore
3.20 For We Are the King of the Boudoir
3.22 Xylophone Track
Pero bueno, aquí me quedo mirando cómo se pasa la vida, cómo se viene la muerte, tan callando...
Con 10 votos:
3.22 XYLOPHONE TRACK
"Xylophone Track is the most direct descendant of the blues on 69 Love Songs.
It features two 'visual' metaphors for the xylophone: first a railway track, and then a ribcage.
LD Beghtol writes:
At the time we sang this, fairly early one morning, this song was the extreme high end of my falsetto and the extreme low end of Stephin's. I played my 1890s harmonium on it, then Stephin overdubbed all these clashing, out-of-tune and unturned stringed instruments. I remember a lot of port and scotch were involved in the making of this recording. "
Con 9 votos:
3.7 LOVE IN THE SHADOWS
"Love In The Shadows is one of the songs on the album that shares a title with another song written by someone else. Neil Sedaka wrote a song called Love In The Shadows, released in 1976. Dan Hill and E.G. (Elizabeth) Daily have also recorded songs called Love In The Shadows, though it is not clear whether these were covers of the Neil Sedaka song or different songs.
Other examples include Kiss Me Like You Mean It and Bitter Tears. "
Con 8 votos:
3.15 BLUE YOU
"Daniel Handler suggests in the 69 Love Songs booklet that Blue You evokes the music of George Gershwin.
"The President played the saxophone / sounded so alone" is almost certainly a reference to Bill Clinton, who was frequently photographed with a sax. "
Con 6 votos
3.1 UNDERWEAR
"'La mort, c'est la mort / mais l'amour, c'est l'amour'
A bit of French wordplay, using the homophones "l'amour" (love) and "la mort" (death): without referring to the lyric sheet, the listener is uncertain whether the song is saying 'Love is death / but death is love' (cf. Alain Resnais' film L'Amour à Mort, which translates roughly as Love unto Death).
LD Beghtol writes:
At one point this was going to be an all-male double quartet recorded in the nude at Mother West recording studio, but we could never find the right mix of voices, so it became a Stephin-Dudley duet. But what fun (and photo ops) we would have had with that! "
3.20 FOR WE ARE THE KING OF THE BOUDOIR
(Otra sin dibujo)
"Stephin Merrit says For We Are The King Of The Boudoir is "essentially Gilbert and Sullivan". The singer refers to himself both with the royal 'we' and in the third person ('for we are the king of the boudoir, old thing / and the king doesn't like to wait').
This song was originally intended to be included in The 6ths' Wasps' Nests sung by Manolo from the Spanish band Astrud.
LD Beghtol, who sings the song, writes:
One of the most rewarding parts of the making of 69 Love Songs was Stephin encouraging me to use my various character voices on some songs. This one took me right back to my operatic past, and was also a one-taker. Muscle memory rules!
The lyrics feature the absurd double negative 'prowesslessnesslessness', which manages to rhyme five consecutive syllables (cf. the discussion of 'singing fling' in Epitaph for My Heart.)"
1.14 HOW FUCKING ROMANTIC
"The 69 Love Songs booklet explains that this song was first conceived for Ute Lemper and then for Diamanda Galás — with an eye on The 6ths album Hyacinths and Thistles — though neither ever recorded the song.
LD Beghtol writes, "We all longed to sing this one, but Dudley got the honor. What a great song!"
'Play another charming / Rodgers & Hart tune'
Richard Rodgers (composer) and Lorenz Hart (lyricist) collaborated on 29 musicals, and contributed songs to 12 films, writing more than four shows a year at the peak of their productivity. The partnership ran from 1919 until the death of Hart in 1943: he allegedly "drank himself to death, tormented by his gnomish appearance and unable to accept his own homosexuality". Rodgers continued to write musicals with Oscar Hammerstein II, and then with other lyricists after Hammerstein's death.
Some link Hart's homosexuality with his lyrics, which "abound with expressions of frustrated romance, isolated courtship and unconventional affection". "
1.18 BOA CONSTRICTOR
"In the 69 Love Songs booklet, Stephin Merritt comments that he asked Shirley Simms to sing Boa Constrictor rather than singing it himself, "Because I always sound like love has wrapped around my heart like a boa constrictor. She doesn't." (cf. his similar comments about I Don't Want to Get Over You.)
"I think of the boa constrictor in The Little Prince," he continues for no apparent reason."
3.9 WI' NAE WEE BAIRN YE'LL ME BEGET
"Wi' Nae Wee Bairn Ye'll Me Beget draws on the Scottish folksong of Robert 'Rabbie' Burns, the Bard of Scotland. In the 69 Love Songs booklet, Stephin Merritt says he is a fan of the Jean Redpath sings Robert Burns series, which runs to seven volumes.
Like Absolutely Cuckoo, Wi' Nae Wee Bairn Ye'll Me Beget has two parts, both of which are sung by Stephin Merritt on the album. In live performance Stephin and Claudia sing the refrain together ('Wi' nae wee bairn ye'll me beget / Untwinkle, little ee / My ainly pang'll be regret / A maiden I will dee') but alternate in singing the lines in each verse, which brings out the dynamic of the song in sharper relief.
For anyone unfamiliar with Scottish dialect, 'Wi' Nae Wee Bairn Ye'll Me Beget' translates as 'With no small child you will me beget (i.e. sire)'. The 'shape-shifting' theme of the lyric ('Well I'll turn into a...') is common to many folk traditions. A widely known instance (since Disney did a film of it) is the shapechanging battle between Madam Mym and Merlin in T H White's The Sword in the Stone.
Another is the song Two Magicians, one of the Child Ballads, recorded by Steeleye Span among others, which also shares the theme of a maiden protecting her virginity, and from which Wi' Nae Wee Bairn Ye'll Me Beget appears to be derived:
You never shall have my maidenhead
That I have kept so long!
I'd rather die a maid, aye, and then she said,
And be buried all in my grave
In Wi' Nae Wee Bairn Ye'll Me Beget, the 'little ee' and 'a maiden I will dee' (i.e. die) lines may be true to the phonetic spirit of many Scots ballads, but stretch the 'letter' of dialect pronounciation. "
Con 4 votos:
1.19 A PRETTY GIRL IS LIKE...
"The song is a protest-cum-homage to Irving Berlin’s song A Pretty Girl is Like a Melody.
Allegedly Stephin Merritt had been reading Ulysses, and considering how writers objectify women in metaphors. In the lyrics, he celebrates, mocks, and critiques song similes, adopting "an exaggeratedly sexist, male point of view. It's a lot of baggage for one song," he acknowledges, "but that's part of why it's funny".
LD Beghtol adds:
When I first heard this, I was sure people would attack Stephin for being sexist, which of course neither he nor the song is at all. Also the song Queen of the Savages gave me pause. Happily everyone got the jokes and no-one so far as we know was offended.
Stephin cites surrealist poetry as one of his 'touchstones' for his wilder metaphors such as 'A pretty girl is like a minstrel show'. (The Magnetic Fields took their name from André Breton and Philippe Soupault’s Les Champs Magnetiques, though Stephin says that this is "not a reference in the sense that it helps people understand the band better".)"
3.17 TWO KINDS OF PEOPLE
"Two Kinds Of People features another heavily treated vocal from Stephin Merritt. In live performances, Stephin and Claudia Gonson sing the song together, and the lines that are back in the mix on the album are sung away from the microphone.
'There are two kinds of people: a) my love and I; b) other'
The song is a kind of solipsism for two. "
Había un empate con 4 votos pero se ha salvado Asleep and Dreaming por no haber recibido ningún voto en las rondas anteriores mientras que las otras dos sí.
Disco 1:
1 Absolutely Cuckoo
2 I Don't Believe in the Sun
3 All My Little Words
4 A Chicken With Its Head Cut Off
5 Reno Dakota
6 I Don't Want to Get Over You
7 Come Back From San Francisco
8 The Luckiest Guy on the Lower East Side
9 Let's Pretend We're Bunny Rabbits
10 The Cactus Where Your Heart Should Be
11 I Think I Need A New Heart
12 The Book of Love
15 The One You Really Love
17 Parades Go By
20 My Sentimental Melody
21 Nothing Matters When We're Dancing
22 Sweet-Lovin' Man
23 The Things We Did and Didn't Do
Disco 2
3 When My Boy Walks Down the Street
4 Time Enough for Rocking When We're Old
5 Very Funny
6 Grand Canyon
7 No One Will Ever Love You
8 If You Don't Cry
9 You're My Only Home
10 (Crazy for You But) Not That Crazy
11 My Only Friend
12 Promises of Eternity
13 World Love
14 Washington, D.C.
15 Long-Forgotten Fairytale
16 Kiss Me Like You Mean It
17 Papa Was a Rodeo
18 Epitaph for My Heart
19 Asleep and Dreaming
20 The Sun Goes Down and the World Goes Dancing
21 The Way You Say Good-Night
22 Abigail, Belle of Kilronan
Disco 3
2 It's a Crime
3 Busby Berkeley Dreams
4 I'm Sorry I Love You
5 Acoustic Guitar
6 The Death of Ferdinand de Saussure
8 Bitter Tears
10 Yeah! Oh, Yeah!
12 Meaningless
14 Queen of the Savages
16 I Can't Touch You Anymore
18 How to Say Goodbye
19 The Night You Can't Remember
Sorprendentemente ninguna canción del disco 2 ha sido eliminada en esta ronda. De momento es el que mejor está escapando, por el contrario el disco tres es el más perjudicado.
Tenemos que eliminar 8 canciones (ATENCIÓN 8) de aquí a mañana a las 14:00 h.
Como fans, ¿os gusta que los grupos cambien los arreglos en directo?
G: “Ver a Magnetic Fields a mí me chifla. Ellos siempre han venido con banda, incluso con los discos con sintetizadores. Nunca nos ha importado, siempre me ha parecido asombroso lo que hacen”.
C: “Me encanta cómo suenan los discos pero el chino con la guitarra en directo parece una computadora digitando, es increíble”.
¿Vuestra amistad viene del disco con Claudia de Astrud?
G: “No, a partir de telonearles en el 98. En el 96 nos presentaron cuando vinieron y nos hicimos amigos de Claudia. La segunda gira ya les teloneamos. Claudia tocaba la batería e iba con guitarra eléctrica. Stephin también iba con guitarra eléctrica en aquella época. En la siguiente gira también, cuando vinieron con Sinnamon… Varias veces”.
Disco 1:
9 Let's Pretend We're Bunny Rabbits
12 The Book of Love
17 Parades Go By
23 The Things We Did and Didn't Do
Disco 2
21 The Way You Say Good-Night
Disco 3
2 It's a Crime
10 Yeah! Oh, Yeah!
18 How to Say Goodbye
No sé que va a ser de mi a partir de ahora.
@caine, hermano ¿se disfruta viendo los toros desde la barrera?
Tocas una de mis tres intocables y tengo que saltar... Y encima insistes. ¡¡¡Que caiga sobre ti el Mal de Moctezuma!!!
Por cierto toma buena nota de lo de por allí, que este verano seguramente vaya...
1.05 Reno Dakota
1.10 The Cactus Where Your Heart Should Be
1.17 Parades Go By
1.22 Sweet-Lovin' Man
1.23 The Things We Did and Didn't Do
2.19 Asleep and Dreaming
2.21 The Way You Say Good-Night
@sebas: para mí mi disco favorito y el mejor son sinónimos....claro, que yo no tengo ninguna web, je, je.
1.10 The Cactus Where Your Heart Should Be
2.13 World Love
2.14 Washington, D.C.
2.22 Abigail, Belle of Kilronan
3.4 I'm Sorry I Love You
3.5 Acoustic Guitar
En esta ronda he descubierto que love in the shadows tiene un no se que de la no wave que me encanta...
Para mi el 1 es el que tiene más temas inmediatos, el más equilibrado es el 2 el 3 es más irregular y le pesa ser el último, y tiene el único defecto que le he achacado siempre al 69LS, que cierra con tres canciones bastantes prescindibles
me llama mucho la atención tu ensañamiento con el 1... y con yeah, oh yeah...
si mi pidiesen un antisurvivor, con las 12 mejores canciones, así sin pensar te diría que más de la mitad están en el 1
Acabo de comprobar el tracklist:
13 del Cd-1
12 del Cd-2
11 del Cd-3
Edito: The Book of Love NO estaba entre las 36 elegidas