That is a catchphrase that’s often associated with me. I made a documentary film with this title, and it has stuck to me like flypaper ever since. It’s a fun game to play if you’re in the mood to take risks, and usually I am. However, you have to play with a clever group of people. Otherwise you’ll find yourself French-kissing everyone in the room or giving blow jobs to Evian bottles!
People usually choose “truth” when it’s their turn because you can tell a lie about yourself and no one will be the wiser, but when you are dared to do something, you have to actually do it. And doing something daring is a rather scary proposition for most people. Yet for some strange reason, it has become my raison d’être.
If I can’t be daring in my work or the way I live my life, then I don’t really see the point of being on this planet.
That may sound rather extremist, but growing up in a suburb in the Midwest was all I needed to understand that the world was divided into two categories: people who followed the status quo and played it safe, and people who threw convention out the window and danced to the beat of a different drum. I hurled myself into the second category, and soon discovered that being a rebel and not conforming doesn’t make you very popular. In fact, it does the opposite. You are viewed as a suspicious character. A troublemaker. Someone dangerous.
nile rodgers explica para rolling stone por que nunca ha vuelto a trabajar con Madonna.
En resumen las tres causas principales:
-Ella queria que Rodgers fuera de gira como director musical, Rodgers no quiso y ella no se sintio traicionada.
- Sean Penn tuvo una pelea enorme con la que entonces era la mujer de Nile rodgers, pasaron de ser amigos intimos a no poderse ver. Madonna que estaba enchochadisima tomo partido por Sean y Nile Rodgers como es natural defendio a su novia.
-El contrato de nile rodgers era carisimo, y volver a trabajar con el supondria mejorar ese contrato ya que el disco habia vendido 20 millones de copias y ella no estaba por la labor de pagar tanto dinero a un productor.
Aun asi dice que a dia de hoy su relacion es buena y que a el le encantaria volver a trabajar con ella aunque esta seguro que ella rechazaria la oferta.
Comentarios
Pues a digievolucionado a
http://instantchan.com/
@Madonna. Y está verificado.
https://twitter.com/madonna
Por empezar te dire que ese nombre le puse yo.
Luego ya te puedes imaginar el resto. Que somos muy viejas las dos aqui. Y yo no me mato a mensajes, vale, pero al cesar lo que es del cesar
http://web.stagram.com/p/558856664075748408_181306552
That is a catchphrase that’s often associated with me. I made a documentary film with this title, and it has stuck to me like flypaper ever since. It’s a fun game to play if you’re in the mood to take risks, and usually I am. However, you have to play with a clever group of people. Otherwise you’ll find yourself French-kissing everyone in the room or giving blow jobs to Evian bottles!
People usually choose “truth” when it’s their turn because you can tell a lie about yourself and no one will be the wiser, but when you are dared to do something, you have to actually do it. And doing something daring is a rather scary proposition for most people. Yet for some strange reason, it has become my raison d’être.
If I can’t be daring in my work or the way I live my life, then I don’t really see the point of being on this planet.
That may sound rather extremist, but growing up in a suburb in the Midwest was all I needed to understand that the world was divided into two categories: people who followed the status quo and played it safe, and people who threw convention out the window and danced to the beat of a different drum. I hurled myself into the second category, and soon discovered that being a rebel and not conforming doesn’t make you very popular. In fact, it does the opposite. You are viewed as a suspicious character. A troublemaker. Someone dangerous.
Read more: http://www.madonnarama.com/posts-en/2013/10/04/madonna-by-terry-richardson-for-harpers-bazaar-november-2013-issue/#ixzz2gpjxmQub
En resumen las tres causas principales:
-Ella queria que Rodgers fuera de gira como director musical, Rodgers no quiso y ella no se sintio traicionada.
- Sean Penn tuvo una pelea enorme con la que entonces era la mujer de Nile rodgers, pasaron de ser amigos intimos a no poderse ver. Madonna que estaba enchochadisima tomo partido por Sean y Nile Rodgers como es natural defendio a su novia.
-El contrato de nile rodgers era carisimo, y volver a trabajar con el supondria mejorar ese contrato ya que el disco habia vendido 20 millones de copias y ella no estaba por la labor de pagar tanto dinero a un productor.
Aun asi dice que a dia de hoy su relacion es buena y que a el le encantaria volver a trabajar con ella aunque esta seguro que ella rechazaria la oferta.