Ademas a mejor precio ... pero como no se vea bien os capo. Que yo la ultima vez estaba en pista, me cole con un amigo y no pusimos a 9 fila, tengo el liston alto.
Pero os rajais de la grada 207? Jo con lo bonito que iba a ser. Yo es que tengo que ir a grada sí o sí porque voy con una amiga y no quiere pista. Nos veremos después de todas formas.
Zedd Pairs Up With Lady Gaga for Tour, Possible Album Work
For DJ/producer Zedd, getting into Lady Gaga's inner circle took just a touch.
"I introduced them in London at a Beats event," Interscope A&R representative Dave Rene says. "I said, 'Gaga, I want you to meet Zedd.' She just reached her arm out and touched him and said, 'Let's work together.'"
"Marry the Night" (Zedd Remix) It wasn't just sensory stimuli, of course. Zedd -- 22-year-old German native Anton Zaslavski -- has in a very short time become the apple of Interscope's increasingly electronic dance music-focused eye, and not just for the usual remixes and endemic dance fodder: for pop production of the highest order.
"He's unique," Interscope Geffen A&M Records chairman Jimmy Iovine says. "With producing, you can acquire a feel along the way. Zedd already has it, at a very young age, which makes him a really exciting prospect. He knows song structure and he has the basic instincts of production. When I see that in people, I work with them."
While the Interscope team won't comment on the exact nature of Zedd's work for Gaga just yet, the two artists are in active contact. Gaga is known to be working on a follow-up to last year's chart-topping Born This Way, and she's tapped the young DJ to serve as direct support for her upcoming 16-date tour of Asia, which begins April 27 in Seoul's Olympic Stadium. (Zedd also played Coachella and will hit Lollapalooza.)
Meanwhile, Zedd is collaborating with another pop titan, songwriter/producer Max Martin, and is close to finishing what Zedd calls "a definite hit" that label bosses, including Iovine, are reportedly clamoring to secure for their biggest artists. Zedd's also working on his first artist album, which he says is modeled after the narrative quality of one of his favorites, Justice's Cross, and slated for release on Interscope later this year. "I don't want to put 12 singles on an album," he says. "I want to make a story, a little movie."
Less than two years ago, Zedd was home in Kaiserslatern, Germany, playing with various bands (from jazz to hardcore) and entering remix contests-two of which, hosted by dance-focused retailer DSP Beatport, he won. Those early works caught the ears of Interscope's Rene, who enlisted him for some remixes-the same path Rene took with another promising talent, Skrillex.
"Those early remixes could be original tracks easily. They're not remixes, they're from-the-ground-up reproductions," Rene says. The songs included Diddy's "Ass on the Floor," Gaga's "Marry the Night" (which Zedd completed in just 24 hours and was selected for the Born This Way deluxe edition) and JoJo's "The Other Chick," which Rene says never saw release because it was too good. "It was so much better than the original it caused a giant rift in the camp, and the producers and writers wouldn't let us put it out."
Zedd's prowess for giving drama and structure to 8-bit beats also got him in the door with Skrillex. His single "Shave It" was the first release on the Grammy Award-winning sensation's independent digital label Owsla, and Skrillex's manager Tim Smith of Blood Company is currently co-managing Zedd's career with Rene.
"A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical," Zedd says. "That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro."
"People start to think because they're making dance music and putting out records that they're record producers, but they're not," Rene says. "Making a dance track versus making an actual song is a whole different beast. Anton was never saying, 'I'm already that.' He said, 'That's what I want, and what I can be.'"
En 10 dias se desvelara el tren de la bruja completo y el setlist de la gira... o lo largara ella todo antes? El show que se vera en corea tendra algo que ver con lo que llegue a españa despues de rodarlo por asia y oceania? Dejara fuera del concierto the fame / the fame monster? cuantos discursos dara? cuantas veces llorara? cuantos videos de caidas dara la gira?
no es hatering son preguntas que me hago... de hecho a un disco como BTW lo que le pega es una cosa tan hortera y excesiva como esa del castillo para salir airoso.
Pero parece que sera la frikada mas grande jamas vista, ¿como no puedes tener curiosidad?
Tengo claro que esto puede ser o MUY cutre o MUY potente, en cualquier caso queda claro que ni pretende darselas de moderna, ni de convencional. Ni ha hecho un album pop al uso ni va a hacer un concierto pop al uso y si le da por hacerlo en un castillo parece que lo hara con dos huevos y se va a montar un puto feudo.
De verdad, estoy enamorado de su discurso friki llevado con tanta coherencia como a veces poca gracia. Es lo mejor de ella. Yo solo quiero que me deje con ese regusto de no saber si lo que hace me tiene que gustar o me tiene que repugnar.
A mi gaga me produce curiosidad, aun estando harto de ella pego el oido cuando sale una noticia o dicen alguna chuminada. Y por supuesto que seguire el estreno y vere fotos y vere el dvd de la gira cuando salga y espero de verdad no tener que pasarlo en fowarding en el 75% del tiempo como me paso con el the monster ball tour. Yo no deseo nada malo para lady gaga, cuanto mas exito tenga y mas venda mejor para ella.
De hecho me da envidia no ser capaz de fliparlo como lo estais flipando los fans durante todo el dia... ya me gustaria a mi que la dama gaga me flipara de ese modo, sin duda mi dia habria sido mucho mas guay.
El twit es de mentira, solo me ha hecho gracia por que esto es loq ue dijo Minaj antes de cerrar su twitter, pero en vez de castillos puso canciones haha
menuda es ella como para esperar a que se filtre algo, antes que pase eso, lo cuenta ella 200 veces y llora y se recompone y dice que lo hace por vosotros...
Tengo cientos de mensajes sin leer. Habéis podido comprar entradas bien? Live Nation ha mandado varios tweets sobre la saturación. De todas formas mañana habrá nuevas entradas para todas las zonas.
Qué chula me parece la idea de castillo medieval para lo que es el sonido del disco. Lo digo fuera de coña. Yo creo que va a quedar muy bien. Ya nos contaréis.
Comentarios
edito: el servidor sigue saturado ..
Ay, Hair va a ser muy grande. FALTAN TANTOS MESES.
http://www.dalealplay.com/informaciondecontenido.php?con=265970
@Kilgore, u sure it's worth it?
Yo creo que luego en las gradas nos iremos cambiando de fila como si nada. Va a ser un despiporre.
Nothing's too cool to take me from youuu
Tengo un hype que no quepo en mí. AAAH
@RRP La preventa se cierra mañana a las 15:00. Y sí, el jueves a las 10:00 va a dar miedo. Lo de hoy ha sido un juego de niños.
Zedd Pairs Up With Lady Gaga for Tour, Possible Album Work
For DJ/producer Zedd, getting into Lady Gaga's inner circle took just a touch.
"I introduced them in London at a Beats event," Interscope A&R representative Dave Rene says. "I said, 'Gaga, I want you to meet Zedd.' She just reached her arm out and touched him and said, 'Let's work together.'"
"Marry the Night" (Zedd Remix)
It wasn't just sensory stimuli, of course. Zedd -- 22-year-old German native Anton Zaslavski -- has in a very short time become the apple of Interscope's increasingly electronic dance music-focused eye, and not just for the usual remixes and endemic dance fodder: for pop production of the highest order.
"He's unique," Interscope Geffen A&M Records chairman Jimmy Iovine says. "With producing, you can acquire a feel along the way. Zedd already has it, at a very young age, which makes him a really exciting prospect. He knows song structure and he has the basic instincts of production. When I see that in people, I work with them."
While the Interscope team won't comment on the exact nature of Zedd's work for Gaga just yet, the two artists are in active contact. Gaga is known to be working on a follow-up to last year's chart-topping Born This Way, and she's tapped the young DJ to serve as direct support for her upcoming 16-date tour of Asia, which begins April 27 in Seoul's Olympic Stadium. (Zedd also played Coachella and will hit Lollapalooza.)
Meanwhile, Zedd is collaborating with another pop titan, songwriter/producer Max Martin, and is close to finishing what Zedd calls "a definite hit" that label bosses, including Iovine, are reportedly clamoring to secure for their biggest artists. Zedd's also working on his first artist album, which he says is modeled after the narrative quality of one of his favorites, Justice's Cross, and slated for release on Interscope later this year. "I don't want to put 12 singles on an album," he says. "I want to make a story, a little movie."
Less than two years ago, Zedd was home in Kaiserslatern, Germany, playing with various bands (from jazz to hardcore) and entering remix contests-two of which, hosted by dance-focused retailer DSP Beatport, he won. Those early works caught the ears of Interscope's Rene, who enlisted him for some remixes-the same path Rene took with another promising talent, Skrillex.
"Those early remixes could be original tracks easily. They're not remixes, they're from-the-ground-up reproductions," Rene says. The songs included Diddy's "Ass on the Floor," Gaga's "Marry the Night" (which Zedd completed in just 24 hours and was selected for the Born This Way deluxe edition) and JoJo's "The Other Chick," which Rene says never saw release because it was too good. "It was so much better than the original it caused a giant rift in the camp, and the producers and writers wouldn't let us put it out."
Zedd's prowess for giving drama and structure to 8-bit beats also got him in the door with Skrillex. His single "Shave It" was the first release on the Grammy Award-winning sensation's independent digital label Owsla, and Skrillex's manager Tim Smith of Blood Company is currently co-managing Zedd's career with Rene.
"A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical," Zedd says. "That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro."
"People start to think because they're making dance music and putting out records that they're record producers, but they're not," Rene says. "Making a dance track versus making an actual song is a whole different beast. Anton was never saying, 'I'm already that.' He said, 'That's what I want, and what I can be.'"
Tengo claro que esto puede ser o MUY cutre o MUY potente, en cualquier caso queda claro que ni pretende darselas de moderna, ni de convencional. Ni ha hecho un album pop al uso ni va a hacer un concierto pop al uso y si le da por hacerlo en un castillo parece que lo hara con dos huevos y se va a montar un puto feudo.
De verdad, estoy enamorado de su discurso friki llevado con tanta coherencia como a veces poca gracia. Es lo mejor de ella. Yo solo quiero que me deje con ese regusto de no saber si lo que hace me tiene que gustar o me tiene que repugnar.
De hecho me da envidia no ser capaz de fliparlo como lo estais flipando los fans durante todo el dia... ya me gustaria a mi que la dama gaga me flipara de ese modo, sin duda mi dia habria sido mucho mas guay.
GAGA >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
estoy hypeado 9 dias faltan!!!!!!!
quieren llegar vírgenes o verán vídeos en yutub :B?
Edito: setlist, imagenes pre-gira y rumores pues vale, imágenes y vídeos NO o con el respectivo link y aviso. Graseas.
LOL
@sagitarioaem aqui se va a filtrar todo, quien no quiera verlo que no entre, pero paso de reprimir mis ganas de poseteo
You know there's something wrong with you when you call a tour meeting only about 'fog.' It's serious people.
1 Niebla para todos !
Qué chula me parece la idea de castillo medieval para lo que es el sonido del disco. Lo digo fuera de coña. Yo creo que va a quedar muy bien. Ya nos contaréis.
Me gustan mucho los arreglos que le han puesto a la cancion, ojala fuera la version completa.